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Of course, there is always the concern that the constant shooting at high fps during a scene will 'flare' the exposure; however, the AF system is fast enough to notice when a very fast frame is recorded and will adjust the exposure accordingly. In such fast scenes the few dropped frames are more than neutralised by the accumulated high-speed frames. The effect still looks a little odd to the uninitiated, as there's just not enough contrast to stop the lateral edges of each frame starting to blend together. It's hardwired default noisily into the shooting system to prevent the problem.

If you really want a continuous recorded 16-24 fps, but don't want any impact on the exposure, you can set a custom fps rate and it will be recorded at that speed with 'noise' retained at the fastest rate. If the ambient light is changing very significantly, the apparent exposure is set to match and it will simply record at that selected pace. In the Full HD mode it will dilate the frame at the faster rate to make sure the brand-new pixels take their fair share of the tonal algorithm.

When keeping exposure constant, or when you want to sync the pause button to have some sort of matching frame of the video, there are two opportunities to get a particularly high resolution still frame out of the camera. The first is the 'large format' video capture mode, where a full 3x3 or 5x5 picture can be taken, but only at 2760x2150, or 15.5 Megapixels. The effect is very nicely produced stills, but there are no low-light advantages, and the stills will flicker in bright light, as the sensor isn't large enough to be good at high ISO. The second is 'Intra-photo recording', which can be used not only in the Full HD video mode, but also very nicely in the Full 554 mode as well. In this case, the camera takes multiple pictures within each video frame, and you can then fiddle with the speed and position of each picture in the slow-motion playback window to produce a single 16-24 or 24-48 fps. d2c66b5586